Again, start by picking a downstroke on the open D-string with the pick, and then pick an upstroke on the B-string note with your ring finger. Feel free to catch the G string with a bit of your fingernail if possible. Try not to let the fingers come down onto the ringing strings between strokes and inadvertently mute them, and keep them up and hovering like spider legs ready to strike the strings at the appropriate moment.
Guitar Technique Tip of the Month
The pick handles the droning open-D pedal tone while the middle and ring fingers pick the G- and B-string notes simultaneously. The pick alternately hits the root and fifth of the chord D and A, respectively while the middle and ring fingers pick the double-stops on the higher pairs of adjacent strings. As you work your way through this pattern, and all the previous exercises, strive for accurate articulation of the notes, an even volume level between the notes attacked with the pick and bare fingers, and a steady rhythm and tempo.
Notice that the pick uses an upstroke on each return to the G string after the B and high E strings are fingerpicked. This is purely a matter of taste and personal preference, as a downstroke could easily be substituted, especially when playing at a slow tempo. Try to stay consistent with your timing, and use the fret-hand fingering suggestions to help with the unusual chord shapes.
FIGURE 4 is a Seventies-rock-style example that has you arpeggiating the chord changes with a specific hybrid-picking pattern. Following the first note in each bar, the pick-hand pattern never changes through each successive bar. FIGURE 5 is a classic example of an alternating bass-line figure widely used in folk and country styles.
The key here is to keep the flatpicked notes, the root and fifth, flowing in a steady quarter-note rhythm while the fingers pick the notes that fall on the eighth-note upbeats. Notice that the pinkie comes into play here to pick all the B-string notes.
While not often used in hybrid picking, the pinkie comes in handy in certain situations such as this. Although more harmonically complex than the previous examples, this passage is essentially just another variation on the alternating bass-line patterns introduced in FIGURES 1f and 5 and is actually not very difficult to play.
Lead Guitar Applications. As you play through these examples, keep accuracy, dynamics and timing in mind, as emphasized earlier. Hybrid picking often comes in handy for licks based on a cycled passage—a series of repeating notes—that incorporate frequent string crosses. FIGURE 10a offers an example of a three-note sequence that is played three times before moving to a similar move in bar 2.
Feel free to emphasize the upper notes with an aggressive snap from the middle finger. Again, pull extra hard on the high-E string note. FIGURE 12 is a progressive funk-rock example that features string-skipping maneuvers that produce wide intervals.
Like this:. Got it? As you advance your travis picking technique, some songs will require you to use a specific finger for ease of play. So, feel free to play these extra little melodies with either your index, middle or ring finger- whichever feels more comfortable. For the first exercise, simply play the thumb- picking pattern you learnt earlier. Once you feel comfortable, use your finger to pluck the open high E-string on the second note of each bar.
Guitar Exercises #1 Warm Up Tips
It should be played at the same time as the first fretted E-note of each bar second fret, D string :. NB: Play this exercise on loop at 60BPM until you feel comfortable, then increase your metronome speed to 70BPM and try to get control of both the bass thumb line and melody finger line. Now drop your metronome back to 60BPM.
The next exercise is similar to the first, except now you will be playing the open high E-string on the last THREE beats of each bar. Try it out:.
3 Essential Fingerpicking Patterns
The third exercise requires you to move your left hand a bit more to create a more coherent melody line. Like a challenge? Once you hit BPM, keep increasing the metronome in gradual increments of 10 until you reach your breaking point. Keep in mind though that the travis picking technique is typically used in folk or ragtime pieces and you would most likely be playing at speeds from BPM.
That was a very simplified breakdown of the travis picking technique designed for beginner guitarists to start to develop control and independence of their picking thumb. This was a song I learnt when I was first beginning to grasp the foundations of travis picking.
The Sacksioni Method (English information) | Harry Sacksioni
The key to reading a piece like this is to pick out the bass line first. As I stated before, the bass note is typically played on every beat. This means that you should actually be playing two bass notes for every click of the metronome. Alternatively, you can still play one bass note for every click of the metronome by starting at BPM and simply working up to BPM. Once you get control of this, add in the top melody:.
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Related Guitar Method: Alternating Thumb Exercise no. 1
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